The only film except for helping John Marshall with The Hunters that I did when I went to the Kalahari in 1957. I became entranced by an old lady about whom I photographed and made this little film.

An elderly chestnut vendor lives in poverty but once a month puts on a show with silk and a carriage to impress her daughter in a convent. One day she is robbed of her meager savings.

Madame Bertini, a newly widowed 70-year-old miser, has lived a sheltered life in squalour. She determines to venture into the modern world and have as much fun as possible, and in doing so finds that she loves it. She blows her life savings, much to the disapproval of the young people around her.

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A funny story about a cheerful old lady who was tired of her household: an unwashed, always sleepy boy, a lazy cat and mouse and a very lazy and sleepy fly, the old lady fluttered up and flew away to her wonderful and cheerful girlfriends.

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In a lively animated lesson about the do's and don'ts of fire and outdoor safety, the Old Lady Who Lived in a Shoe takes all her children and Cousin Jim off on a summer camping trip. And to make sure that needless accidents won't spoil their fun, she plays it smart by observing the rules. Cousin Jim, however, unaware of rules, has several close calls with disaster until the Old Lady steps in and teaches him the ABCs of safe, enjoyable outdoor living. When it comes to fire prevention, the Old Lady knows just what to do. Do you?

Reactionary and aggressive circles in the United States are trying to establish a dictatorship in the country, preparing to assassinate the president and introduce a state of emergency in the country. The conspiracy is led by the FBI director...

Eat the Document is a rarely exhibited documentary of Bob Dylan's 1966 tour of the United Kingdom with the Hawks. It was shot under Dylan's direction by D. A. Pennebaker, whose groundbreaking documentary Dont Look Back [sic] chronicled Dylan's 1965 British tour. The film was originally commissioned for the ABC television series Stage '66. According to Howard Sounes's biography, "Down the Highway: The Life of Bob Dylan", after his motorbike accident in July 1966, Dylan viewed a cut of the material edited by Pennebaker and Bob Neuwirth and thought it was too similar to Dont Look Back. Dylan decided to re-edit the film himself, assisted by longtime associate Howard Alk. Dylan however. Pennebaker stated: "It's not something you learn parking cars in a garage. You gotta know some of the rules and he didn't know any of the rules." It can be assumed Dylan knew some of the rules (he had, after all, seen films) and that some of the unconventional editing choices were deliberate. Dylan and Alk's cut was eventually shown to ABC television, who promptly rejected it as incomprehensible to a mainstream audience.[1] The film includes some powerful live performances of Dylan's songs of the period. It was never given a theatrical release or made commercially available on video, but unauthorized bootleg copies circulate among Dylan collectors. Also circulating in various bootleg formats is a long outtake featuring a possibly alcohol- or drug-impaired Dylan in a limousine with John Lennon. As Dylan shows signs of fatigue, Lennon urges him to get a grip on himself: "Do you suffer from sore eyes, groovy forehead, or curly hair? Take Zimdon!...Come come, boy, it's only a film. Pull yourself together."[2] Todd Haynes's film I'm Not There features a dramatisation of this conversation, with Cate Blanchett as Bob Dylan. Highlights of the film include an interview with the Manchester Free Trade Hall concert-goer who shouted "Judas!" during the second, electric half of the set; the performances with the Hawks; the scenes of Dylan and Robertson in hotel rooms throughout England playing otherwise-unreleased songs; and a piano duet with Johnny Cash. Some of the concert footage shot for Eat the Document - including the "Judas" incident in Manchester's Free Trade Hall - was used in Martin Scorsese's Dylan documentary, No Direction Home.

As a young woman, Claire left her hometown in disgrace. Now she is old and unimaginably rich, as for the first time she returns. The town is nearly bankrupt and in urgent need of money. Everybody hopes Clara will come to the rescue. And she will. However, there is a condition: somebody must kill the man who was her lover all those years ago.